Refereed Publications

  • “Questioning the Australian Western.” Australian Genre Film. Eds. Kelly McWilliam & Mark David Ryan. New York: Routledge (forthcoming 2020).

  • Cooke, Grayson, and Dea Morgain. “Adnyamathanha Archives and Colonial Ruins: the UNSETTLED project.” Journal of Australian Studies 43:2 (2019): 218-235.

  • “The Vicissitudes of the Image: Materiality and the Environment in the “Old Growth” Project.” Transformations. Issue 30 (2017).

  • Reichelt-Brushett, Amanda, and Grayson Cooke. “Art-science interactions in the destruction of an archive: the after | image project”. Leonardo vol. 50 iss. 2 (2017).

  • Cooke, Grayson, and Jim Hearn. “You Winsome, You Lose Some: Home and Hospitality in the Northern Rivers.” Gateways: International Journal of Community Research and Engagement, vol. 8 no. 1 (2015): 59-78.

  • “Performing archival remix in Outback and Beyond.” International Journal of Performance Arts and Digital Media, vol. 11 no. 1 (2015): 100-115.

  • Cooke, Grayson, and Amanda Reichelt-Brushett. “Archival memory and dissolution: the after | image project.” Convergence vol. 21 no.1 (2015).

  • “Whither the Australian Western? Performing Genre and the Archive in Outback and Beyond.” Transformations. Issue 24 (2014).

  • “Live Research in Audio-Visual Performance: Conceptualising ‘Outback and Beyond.’” New Scholar Journal vol 2 no. 1 (2013).

  • “Live A/V in Australia.” An interactive e-book with video and text. MediaObject 01, UTS ePress, 2013. http://www.mediaobject.net.

  • Cooke, Grayson & Lisa Milner. “Hands-on Learning, Long-distance Delivery: Teaching Media to Dispersed Tertiary Students: A Case Study.” Screen Education 68, Summer (2013).

  • “Outback and Beyond: Artist Statement.” JMP Screenworks, vol. 3 (2012).

  • Offord, Baden, Grayson Cooke and Rob Garbutt. “A scholarly affair: activating cultural studies in the wilds of the knowledge economy.” Continuum: Journal of Media & Cultural Studies, vol. 26, no. 2 (2012): 187-190.

  • “Kellerman: EXPANDED: A Live Audio-Visual Performance in the Whitsundays.” Shima: The International Journal of Research into Island Cultures. Volume 6 Number 1 (2012): 147-155.

  • “Outback and Beyond: Live Media as Live Research.” A scholarly affair: proceedings of the Cultural Studies Association of Australasia 2010 national conference. Eds. Baden Offord & Rob Garbutt. Lismore, NSW: Southern Cross University, Centre for Peace and Social Justice and the School of Arts and Social Science, 2011: 55-61.

  • “Liveness and the Machine: Improvisation in Live Audio-Visual Performance.” Screen Sound Journal. Number 2 (2011). http://www.screensoundjournal.org.

  • “Appearing to Act Younger: The Face of Avon.” Transformations. Issue 18 (2010). http://www.transformationsjournal.org.

  • “De-inter-facement: 0100101110101101.org’s Portraits of ‘Second Life’ Avatars.” Convergence 16.4 (2010).

  • “Start Making Sense: Live Audio-Visual Media Performance.” International Journal for

  • Performance Arts and Digital Media 6.2 (2010): 193-208.

  • "The Cosmeceutical Face: Time-Fighting Technologies and the Archive." Transformations. Issue 17 (2009). http://www.transformationsjournal.org.

  • "We Had Faces Then: Sunset Boulevard and the Spectral." Quarterly Review of Film and Video, 26.2 (2009): 89-101.

  • “Effacing the Face: Botox and the Anarchivic Archive.” Body and Society, 14(2), (2008).

  • "Aporia Australis: Lies and Responsibility." Double Dialogues, Issue 8, Summer (2007).  http://www.doubledialogues.com.

  • "Signs of Life:  Writing, Information and the Human Constitution." Interculture, Vol 4 Issue 1 (2007). http://interculture.fsu.edu/vol4.html.

  • "Let's We Forget: Responsibility and the Archive Under Howard." Proceedings of the UnAustralia Conference, Canberra, Dec. 6-8 2006. http://www.unaustralia.com/proceedings.php.

  •  “Technics and the Human at Zero Hour: Margaret Atwood’s Oryx and Crake.”  Studies in Canadian Literature. Volume 31.2 (2006).

  • “Regionality and New Media Art”, with Dea Morgain. Transformations Journal. Issue 12 (2005). http://www.transformationsjournal.org

  • “A Spam Scam Slam.” M/C, Journal of Media and Culture. ‘Fibre’ issue (2003). http://www.media-culture.org.au.

  • “The Face: What a Horror.” Culture Machine. Issue 3 (2001). http://culturemachine.tees.ac.uk.

  • “Willing to Explode: The American Western as Apocalypse-Machine.” Bang Bang Shoot Shoot. Ed. Murray Pomerance and John Sakeris. New York: Simon and Shuster, 1999.